No te conoce el toro ni la higuera,
ni caballos ni hormigas de tu casa.
No te conoce tu recuerdo mudo
porque te has muerto para siempre.
No te conoce el lomo de la piedra,
ni el raso negro donde te destrozas.
No te conoce tu recuerdo mudo
porque te has muerto para siempre.
El otoño vendrá con caracolas,
uva de niebla y montes agrupados,
pero nadie querrá mirar tus ojos
porque te has muerto para siempre.
Porque te has muerto para siempre,
como todos los muertos de la Tierra,
como todos los muertos que se olvidan
en un montón de perros apagados.
No te conoce nadie. No. Pero yo te canto.
Yo canto para luego tu perfil y tu gracia.
La madurez insigne de tu conocimiento.
Tu apetencia de muerte y el gusto de su boca.
La tristeza que tuvo tu valiente alegría.
Tardará mucho tiempo en nacer, si es que nace,
un andaluz tan claro, tan rico de aventura.
Yo canto su elegancia con palabras que gimen
y recuerdo una brisa triste por los olivos.
FEDERICO GARCIA LORCA.
Offerings: Does It Hurt Me? Intaglio-Etchings Installation
Does It Hurt Me? Offerings through human history has been associated with religious and spiritual connotations making them an intricate part of human love and suffering. Even if we are beings with a very defined individuality, we have always lived with a group of peers crafting community and culture. Since we have developed ourselves as makers, giving has been a common practice in our own nature. Every time we create, we do it sharing, sometimes unconsciously and sometimes with a specific purpose. Being makers and creators compels us to give. Although, giving is a common form of offering in every community, artists and poets have made this practice a cultural conversation about spiritual connection, that is an ongoing practice. By recognizing the complexities of historical rituals of offering, we could add our own voices to our contemporary cultural conversation through the art of giving. Art speaks to us as a spiritual force that shakes our conform zone feeling de...
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